The prose version of Hayward seemed to have been accepted as the standard, in default of anything more satisfactory: the English critics, generally sustaining the translator in his views concerning the secondary importance of form in Poetry, practically discouraged any further attempt; and no one, familiar with rhythmical expression through the needs of his own nature, had devoted the necessary love and patience to an adequate reproduction of the great work of Goethe's life. The care and conscience with which the work had been performed were so apparent, that I now state with reluctance what then seemed to me to be its only deficiencies,--a lack of the lyrical fire and fluency of the original in some passages, and an occasional lowering of the tone through the use of words which are literal, but not equivalent. The present participle can only be used to a limited extent, on account of its weak termination, and the want of an accusative form to the noun also restricts the arrangement of words in English verse.
The prose translator should certainly be able to feel the manifestation of this law in both languages, and should so choose his words as to meet their reciprocal requirements. Hayward's prose translation. Where all the restraints of verse are flung aside, we should expect, at least, as accurate a reproduction of the sense, spirit, and tone of the original, as the genius of our language will permit. Poetry, indeed, may be distinguished from Prose by the single circumstance, that it is the utterance of whatever in man cannot be perfectly uttered in any other than a rhythmical form: it is useless to say that the naked meaning is independent of the form: on the contrary, the form contributes essentially to the fullness of the meaning. The English language, though not so rich as the German in such rhymes, is less deficient than is generally supposed. The difficulty to be overcome is one of construction rather than of the vocabulary. He shall not leave the spot alive.
Considering the fact that many people don't have ample blood to interact in arduous exercise that has a comprehensive tummy, the human body will rebel to begin with by building you really feel horrible, but That is an predicted reaction. I wish the gang to sense by itself effectively handled, Particularly as it life and lets me live; The posts are established, the booth of boards accomplished. Ye crowd extra in the vicinity of! My own job has been cheered by the invention, which the more carefully I reproduced the language of the initial, the more of its rhythmical character was transferred concurrently. I come to feel impelled, its which means to ascertain,-- With trustworthy objective, at the time for all, The hallowed First To change to my beloved German. Very well-created you are, 'tis to not be denied, The remainder a bold tackle will win you; When you but in oneself confide, Without delay confide all Other folks in you. Thus, all which you as Sin have rated,-- Destruction,--aught with Evil blent,-- That is certainly my proper factor. Hayward's solely omits the component of poetry.
Hayward's ear didn't dictate to him the requirement of preserving the original rhythm. I honor him to the affected individual and conscientious labor he has bestowed upon his translation,--I can not but think that he has himself illustrated the unsoundness of his argument. Poetry is not just a vogue of expression: it's the form of expression Totally demanded by a certain class of Suggestions. The English ear is suspicious of latest metres and unaccustomed sorts of expression: there are crucial detectives about the observe of each writer, and also a violation of the accepted canons is accompanied by a summons to judgment. In Poetry which endures through its personal inherent vitality, there is absolutely no pressured union of these two factors. The writer's believed is stripped of a last grace in passing via his thoughts, and regularly presents very much exactly the same resemblance to the original being an unhewn shaft into the fluted column.
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